Tag Archives: photographers

Artist Story: Tallie Habstritt ~ In the Ditch Photography

Below is a blog written by Sarah Meisinger, Owner of En Liten Svensk (A Little Swedish) Shoppe in Roseau. Thanks, Sarah for promoting artists in our region!

Life moves so quickly.

I often try and remind myself to slow down, pay attention and notice the beauty that’s all around me. It can be difficult to do sometimes and I’m guessing I’m not alone in this effort. 

Tallie Habstritt is our featured artist for February and she truly understands the value of pausing, noticing and appreciating objects in nature and in life that many of us may miss.    

Fans of Tallie’s photography appreciate the fact that her images are discovered throughout Roseau County.  I am personally drawn to the photos because her work transports me back to the images of my childhood and to a place I love.  One of my favorite images (it feels impossible to pick just one) is the photo Tallie took of the Ferris Wheel at the Roseau County Fair.  If you’re from the area or if you’ve spent some time in Roseau in mid-July, you certainly know that the County Fair is a favorite past time when family and friends gather and we enjoy the animal barns, 4-H exhibits, endless food options and of course, walking through the Mid-way. 

The Ferris Wheel photo captures these memories for me which is what I believe a talented photographer does… triggers our memories and moves us emotionally.

I asked Tallie to share her thoughts about photography, how she got started and any guidance she has to offer for new photographers just starting out. 

Please enjoy Tallie’s artist story as she tells it.  

My photographs are very simple, often single subject photographs. I attempt to showcase the beauty of common things that we are surrounded by every day that we may not take time to notice. In some of my photographs, I also try to give people the opportunity to look more closely at a subject that is fleeting in nature, such as the close-up view of the face of a butterfly or the look on the face of an owl as it studies a human being taking its picture. For me, it is an exciting moment when I review my photos and see that I have captured these types of events.
 

When I was growing up, everyone in our family took lots of pictures. Initially, we had a family camera and there wasn’t much that we didn’t take photographs of – the chickens on our farm, my Uncle Albert’s new Pontiac, an exceptionally large black and blue mark, drifts during the blizzard of 1966, our teenage friends. Anything was fair game. We just took pictures of our life and what was happening around us.

I received my first camera as a gift from my parents when I was 14 or 15 years old. It was an Instamatic camera with flashcubes. Over the years, I no longer used that camera, but I never got rid of it. I added a 35 mm camera with a couple lenses in the 80’s and later a digital camera with a fixed lens about 2001. In 2008, I bought a digital camera that accepted various lenses and then a few years later I purchased a Canon 5D Mark II that I continue to use today.

 There are a number of reasons I continue to be interested in photography. Probably one of the most important is that photography gives me the opportunity to learn new things. Even though I have spent nearly my entire life in Roseau County, before I went seeking things to photograph, I didn’t know that there were nearly pure white lady’s slippers that grew in our County. I didn’t know how exhausted a partridge looked after standing on a log drumming, or how intricate and golden frost on the window of my house became when it was back-lit by approaching car lights. I didn’t know how easy it was to get close to great grey owls and how hard it was to get near a snowy owl. I didn’t know the names of many of the wild flowers I regularly saw in the ditches. These are some of the things I have learned more about. I often don’t have a particular subject in mind when I take my camera and go for a walk or a drive, looking for something to take a picture of. I always know there is something to photograph, I just don’t know what it is until I see it. Sometimes when I photograph something, I still don’t know exactly what it is and that gives me the opportunity to learn more about something I was not familiar with.
 

 (A few of the amazing images captured by Tallie ~ single cards and card sets available at the Shoppe.)

One of my favorite photography experiences was when I was able to get pictures of a Woodcock. I had heard about Woodcocks because I had a friend who hunted them, but I had no idea what they looked like. I came across my first one, not knowing what it was, and without my camera. It was a smaller birds with short legs and long pink toes. It had a fairly short tail and a long beak with a visible tongue. It had large, dark eyes that weren’t on the front of its face, but on the sides of its head. Without my camera, I followed the bird around through the brush, trying to memorize the details so I would be able to go home and research what it was. I found out it was a Woodcock.  One writer described it as “a bird that looks like it has been created out of spare parts!” I loved that accurate description. Later I did have my camera and saw another Woodcock, the only other one I have ever seen. I was able to again follow the bird and take numerous photographs that remind me of the fun I had that day.  Because I find it fascinating to see and learn about these things, I take pictures of them in hopes that someone else might enjoy seeing and learning more about nature in Roseau County.

 (The elusive Woodcock!)


Earlier I touched on another reason I continue to photograph what I see – it relates to seeing common things, but seeing their details. It is hard to see the details of small, moving things like insects. With a photograph, you can capture the details and look more closely at them. The intricately colored wings of a butterfly might draw our attention, but how often do we get to look at the face of a butterfly? A photograph makes that possible and a butterfly’s face is also very interesting. One time I was photographing what people call a Hummingbird Moth. There are various kinds in our area and the one I was photographing was a White-lined Sphinx Moth. This moth is active in the daytime and moves its wings very fast like a hummingbird. Because it moves so quickly, it is difficult to see the pattern on the wings. With a photograph, you can catch the wings open and see how beautiful they actually are. Trying to capture these details is a challenge for me but that is also what makes photography fun. If you fail in your first or second or third attempt to photograph something, that just makes the final success that much more appreciated.
 

I also enjoy photographing people. I try to show something about the person or their personality when I take their picture and if I can do that I feel like I have been successful. I am not very skillful in taking more formal group pictures of people but I like taking candid photos. I had the opportunity to take pictures at a large family gathering and I took many pictures of various groups within the family. When I went home though and looked through my pictures, my favorite one was of the hands of the father in the family. He had been a hard working man all of his life and his hands showed it. I felt like that said something that was important to remember and that is why I liked that photograph so much.


One of the more challenging facets of outdoor photography is knowing what to wear when I go out with my camera! Ha! Because I like to walk through woods and in ditches to take many of my photographs, I have to deal with what is outside, and that often involves bugs of some sort. Mosquitoes are always around us in Minnesota and bull flies can also be bothersome. I try to wear knee-high waterproof boots most of the time, even if I don’t think I am going to be in a wet place. I think it gives the Woodticks one less place to attach themselves to me. With taller boots, I might deter a few Woodticks, but I often still end up with wet feet because I want to take just one more step to get closer to something I am photographing. That sometimes means I end up in water that is too deep.
 

I also try to wear a light weight jacket or long-sleeve shirt even in the summer. That also helps with bugs, but the main reason is to avoid poison ivy. I have not been careful enough though and typically I get one nasty case of that each year, usually when I am photographing Lady’s Slippers. I typically try not to disturb animals or birds that I see when I am photographing. I try not to get too close or I stay away all together if there is a baby of any kind involved. If I think I won’t do any harm by taking one quick photo that just involves point, shoot, get out of there I might do that, but otherwise I try to stay out of what I think of as the the personal space of birds or animals. One time when I was photographing an especially perfect clump of white Lady’s Slippers I must have been too close to a blackbird with a nest or a baby. I was making my third round trip of about 90 miles in just a few days to try get a picture of the flowers when they were at the peak of their bloom and I had finally gotten there at the right time. Every time I would lower my head, a blackbird would dive bomb me twice in quick succession and then fly to a pole to sit and look at me. The bird flew close enough to me that I did not trust him not to actually hit me. I had a hard time focusing on the blossoms and watching the bird at the same time. It took a long time to get my photographs that day. I never saw what was making him so protective. That, however, is the only negative incident I have had with any wildlife.
 

Timing plays a big part in many photographs and the photographer often doesn’t dictate the time to take a photograph. If you want a foggy morning picture, you go when it is foggy, not when it is convenient with your schedule. If you want a picture of new snowfall, you might have to go out on a very cold day even though it is hard to keep your hands warm and use your camera at the same time. Nature is constantly changing and it determines when the time is right and what there will be to photograph. That makes it challenging but also memorable when you get a picture that you enjoy looking back at.
 

For me photography has been a very enjoyable hobby and it has allowed me to learn and see new things. I hope to be able to continue my hobby for years to come.

For Tallie’s story, I decided to get in touch with someone very close to her.  I asked Tallie’s sister Sheila for additional insight about Tallie’s willingness to literally get ‘in the ditch‘ when she sees something she wants to photograph. Sheila shares,

“One thing I’d say about Tallie is that she can drive down a road at 60 mph and spot a flower or critter in the ditch and will slam on the brakes, put her boots on and make the effort to get the best possible photo of that beautiful bit of wildlife. She spots birds that blend in with their surroundings, flowers so tiny you can hardly see them, animals trying to hide from humans, and other lovely scenes with unusual lighting, clouds, or weathered buildings. It certainly helps to have good equipment, but that doesn’t help if you don’t have an eye for your subject matter.” 

In our digital age, I do hope we find time to slow our pace, enjoy the beauty around us and perhaps write a note to a loved one just because. 

Thank you Tallie, for reminding us of the importance of this through your images.

~Sarah

p.s. Discover a beautiful selection of Tallie’s greetings cards, coasters and more with images found throughout Roseau County at the En Liten Svensk (A Little Swedish) Shoppe ~ 101 Main Avenue North in downtown Roseau!

Call for Entries: NDMOA’s This Week Only

All Artists are invited to place one work of art in the

North Dakota Museum of Art’s upcoming exhibition

This Week Only, January 27– February 2, 2019

This Week Only is the Museum’s most popular exhibition from our region. Imagine a panoply of art from the Red River Valley and surrounding plains and woodlands; walls covered with works springing from our own place to brighten our lives in the dead of winter.
This is the third This Week Only exhibition, the only non-curated show in the Musuem’s schedule. Last year they changed the dates and closed on the day of the Annual Benefit Dinner. Remember, don’t submit works of art you entered in either of the two earlier exhibitions as the public will remember.
Last year people poured in and lingered over a hundred works on paper, paintings, sculptures, photographs, crafts, and multi-media everything. The opening brought a nice and eager crowd, raising over $72,000.  Again this year, if one wishes to buy at the opening or in advance of the Dinner, a 20% premium will be added to the sale price.
Artists:  The Museum is ready to invite you to do it again. Please submit, buy, celebrate, and expand your visual acuity, or just have fun. As noted above, they are showcasing the show during the Museum’s Annual Benefit Dinner. Your work will be the highlight of the evening and a benefit for you and the Museum. The Benefit Dinner is the region’s most glittering and festive occasion. Instead of the customary Silent Auction, the art in This Week Only will be offered for sale with proceeds split 50/50 between the artists and the Museum. Artists set their own prices.
Eligibility: If you are a serious artist from North Dakota, Southern Manitoba, neighboring Minnesota, and northern South Dakota, you are invited to submit one artwork of your choice to This Week Only.
Dates: The show officially opens at 2 pm on Sunday, January 27, 2019, and continues for one week, closing on Saturday evening, February 2.
Delivery of Art: Museum staff will be on hand January 19 – 24  to receive the art during the Museum’s regular hours: 9 – 5 weekdays and 1 – 5 on Saturday and Sunday.
If you wish to ship, the art must arrive at the Museum within the receiving time. They will return it to you in your packing materials and charge your credit card for the cost. Make these arrangements on the Entry Form.
Acceptable Artwork: Two-dimensional works of art cannot be larger than a total of 16 feet. (For example 1 x 7 feet, 2 x 6 feet, 3 x 5 feet, 4 x 4 feet or any size smaller.) If you are submitting three-dimensional or non-wall work, please give them a call to discuss special considerations.  Sculpture must fit through a regular door (7 x 3 feet). Special equipment needed for display—including sculpture stands, monitors and projectors—must be furnished by the artist. The art must be ready for installation, including proper framing to protect the art. No clips and string, or other devices that will allow the work to slip out of the hanging apparatus, become unhinged, or become damaged. This is an uninsured exhibition so artists must protect their own. The Museum can refuse works of questionable condition, and hang certain works in designated areas.
Entry Fee: $25 prior to or when the work arrives at the Museum.
People’s Choice Award: All visitors will be asked to vote.
Sale of Art: All work must be for sale and priced according to your current retail sales expectations. Remember, artists establish the sale price and split proceeds 50/50 with the Museum. Those who wish to buy before the Museum Dinner may pay an extra 20% and it’s theirs. All buyers may take the work home after the Benefit Dinner.
Return of Art: Works not sold can be picked up during regular Museum hours from February 5 – 10. Work not reclaimed or sold will not be stored at the Museum—if you saw how pressed they are for space you would understand.
This event honors Walter Hopps (1932-2005), one of America’s most beloved and creative curators, whose 1978 Thirty-Six Hours was the first such known exhibition. Francisco Alvarado, who made the jungle installation last season in the Museum’s Weeds show, had a work in Thirty Six Hours. It was purchased by Joseph Hirshhorn (the founder of the Hirshhorn Museum) who Francisco credits with kicking off his artistic career.

Individual Artist Grants Deadline January 15

START YOUR APPLICATION TODAY

NWMAC Individual Artist $1,500 GRANTS – DEADLINE JANUARY 15!

Individual artist grants are awarded to individuals in our region in performing, visual, media and creative writing arts.

To learn more about these grant programs and start an application visit www.NorthwestMinnesotaArtsCouncil.org, click on the Current Grants Forms under the Grants Tab. The grant application process is completely online and NWMAC’s Executive Director Mara Hanel 218-745-9111 can help walk you through the process of using the grants portal to get accustomed to it.

Create a login >>>

Contact Mara for support and to review your application.  Mara can also provide a copy of the application and guidelines for you to review prior to starting your on-line application. There will be a grant writing workshop on Monday, January 7 at 3pm at our office in Warren to help you write this grant.

Submit by January 15, 2018 by 11:59 pm.

Artist Project Grants: Artists must be 18 years and older and reside in the seven-county Northwest Minnesota area at least six months out of the calendar year. Individual Artist Grants provide financial assistance for the exhibition, performance, or production of a specific creative work, mentoring with a more experienced artist, participation in not-for-credit arts experiences.

What is a typical project?  Often, grant proposals are to buy items that directly relate to your art like upgrading an instrument or replacing worn out visual art equipment.  Sometimes proposals are to attend a workshop that is important for your artistic growth then create a new body of work as a result of that learning.  Some grants are to allow artists to create a new body of work, then promote and showcase the result.

What is hard to get funded?  It is difficult to receive funding for items that are part of daily life like computers, printers, cameras, cell phones, etc.  It is also difficult to receive funding to travel to destinations for art training that have the appearance of a vacation.  It is difficult to receive funds to start a new arts medium since your current work sample is important to the application process and must show work within the medium you are applying.

Can I pay myself while I work on my project?  Yes, the McKnight Foundation, encourages established artists to be able to use grant funds to pay themselves to work on the project.  If awarded a grant however careful tracking needs to occur on the form provided.  If awarded all receipts for expenses need to accompany the final report or full or partial funding will be returned including the completed time tracking form.

Support for our Individual Artist Grants comes from the McKnight Foundation. The McKnight Foundation in Minneapolis awards the Northwest Minnesota Arts Council $70,000 annually to provide grants and services to artists. Please see the McKnight page on our website that provides a summary and links to this programming. To see if you quality for this grant visit the grants link at www.NorthwestMinnesotaArtsCouncil.org/grants or call 218-745-9111 or email mara@nwrdc.org.

McCanna House Artist-in-Residence Opportunity

Open to Artists in Music, Theatre, Literature, & Visual Arts

The North Dakota Museum of Art is accepting applications for the 2019 McCanna House Artist-in-residence season. Artists working in music, theatre, literature, or the visual arts are encouraged to apply. Open to artists in all stages of their career. Preference given to regional artists (North Dakota, South Dakota, Minnesota, and Manitoba), with remaining availability open to all.
Image by Micah Bloom
The North Dakota Museum of Art presents a unique opportunity with the McCanna House Artist-in-residence program. This retreat consists of a 1920s farmhouse and large outlying steel building in the midst of the thriving farmland of the Red River Valley of Eastern North Dakota. While the residency affords no dedicated media specific facilities at this time, the open space of the house, barn and grounds affords opportunity for the creation of work in many scales.
Image by Kelli Nelson
 
THE PROGRAM
The residency consists of 2 – 5 week blocks of time layered throughout the operating year. The house is open from June 1 through the end of September or early October. There will only be one artist on the property at a time, unless a group project is accepted. While there are no expectations for the artist to complete work during the residency, artists are asked only to use their time wisely, and be aware of the transformative potential of time spent there.
Deadline: Applications will be accepted until January 15, 2019
2019 Announcement: February 15, 2019.
Image by Micah Bloom
AMENITIES
*Wireless Internet
*Well lit French country-style farmhouse, detached 40 x 70 foot steel building, and large outdoor space with yards and surrounding tree lines.
*House has 3 full bedrooms, each with attached bathrooms
*New washer and dryer
*New electric stove in well appointed kitchen
*Screened in porch area with convenient BBQ
*A modest array of hand tools
*Opportunities to work with surrounding community groups
*Well stocked library
*Fruit trees
*Surrounded by working fields producing soy beans, potatoes, canola, and more…
*Endless sky
*Big weather
Email Matthew Wallace with questions.

TARP — Teaching Artist Roster Program Apply Today

Take Advantage of this Fantastic Opportunity Right in Our Region

Are you a local artist interested in teaching residencies in the schools in our area?

NWMAC is looking for Teaching Artists who reside in our seven county service area for our roster!

Apply by August 15 to participate in this round of our training series.  Go to our on-line system, register, and complete the Teaching Artist Roster application.  Training dates will be in September and October at our office in Warren.
The deadline to apply is August 15, 2018.  There is an info session on August 7 at 3 pm at our office to learn more about this program. See below for more information. Or NWMAC Teaching Artist Roster Program Aug 2018
Please contact our office with any questions you have about this program.