All Artists are invited to place one work of art in the
North Dakota Museum of Art’s upcoming exhibition
This Week Only, January 27– February 2, 2019
This Week Only is the Museum’s most popular exhibition from our region. Imagine a panoply of art from the Red River Valley and surrounding plains and woodlands; walls covered with works springing from our own place to brighten our lives in the dead of winter.
This is the third This Week Only exhibition, the only non-curated show in the Musuem’s schedule. Last year they changed the dates and closed on the day of the Annual Benefit Dinner. Remember, don’t submit works of art you entered in either of the two earlier exhibitions as the public will remember.
Last year people poured in and lingered over a hundred works on paper, paintings, sculptures, photographs, crafts, and multi-media everything. The opening brought a nice and eager crowd, raising over $72,000. Again this year, if one wishes to buy at the opening or in advance of the Dinner, a 20% premium will be added to the sale price.
Artists: The Museum is ready to invite you to do it again. Please submit, buy, celebrate, and expand your visual acuity, or just have fun. As noted above, they are showcasing the show during the Museum’s Annual Benefit Dinner. Your work will be the highlight of the evening and a benefit for you and the Museum. The Benefit Dinner is the region’s most glittering and festive occasion. Instead of the customary Silent Auction, the art in This Week Only will be offered for sale with proceeds split 50/50 between the artists and the Museum. Artists set their own prices.
Eligibility: If you are a serious artist from North Dakota, Southern Manitoba, neighboring Minnesota, and northern South Dakota, you are invited to submit one artwork of your choice to This Week Only.
Dates: The show officially opens at 2 pm on Sunday, January 27, 2019, and continues for one week, closing on Saturday evening, February 2.
Delivery of Art: Museum staff will be on hand January 19 – 24 to receive the art during the Museum’s regular hours: 9 – 5 weekdays and 1 – 5 on Saturday and Sunday.
If you wish to ship, the art must arrive at the Museum within the receiving time. They will return it to you in your packing materials and charge your credit card for the cost. Make these arrangements on the Entry Form.
Acceptable Artwork: Two-dimensional works of art cannot be larger than a total of 16 feet. (For example 1 x 7 feet, 2 x 6 feet, 3 x 5 feet, 4 x 4 feet or any size smaller.) If you are submitting three-dimensional or non-wall work, please give them a call to discuss special considerations. Sculpture must fit through a regular door (7 x 3 feet). Special equipment needed for display—including sculpture stands, monitors and projectors—must be furnished by the artist. The art must be ready for installation, including proper framing to protect the art. No clips and string, or other devices that will allow the work to slip out of the hanging apparatus, become unhinged, or become damaged. This is an uninsured exhibition so artists must protect their own. The Museum can refuse works of questionable condition, and hang certain works in designated areas.
Entry Fee: $25 prior to or when the work arrives at the Museum.
People’s Choice Award: All visitors will be asked to vote.
Sale of Art: All work must be for sale and priced according to your current retail sales expectations. Remember, artists establish the sale price and split proceeds 50/50 with the Museum. Those who wish to buy before the Museum Dinner may pay an extra 20% and it’s theirs. All buyers may take the work home after the Benefit Dinner.
Return of Art: Works not sold can be picked up during regular Museum hours from February 5 – 10. Work not reclaimed or sold will not be stored at the Museum—if you saw how pressed they are for space you would understand.
This event honors Walter Hopps (1932-2005), one of America’s most beloved and creative curators, whose 1978 Thirty-Six Hours was the first such known exhibition. Francisco Alvarado, who made the jungle installation last season in the Museum’s Weeds show, had a work in Thirty Six Hours. It was purchased by Joseph Hirshhorn (the founder of the Hirshhorn Museum) who Francisco credits with kicking off his artistic career.